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Haydn Die Schöpfung – Les Arts Florissants / William Christie
The English tenor Hugo Hymas brought poignant vocal colors and melting tenderness to his performance.
New York Times, 16 November 2018
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Purcell Ode to St Cecilia’s Day – Freiburg Baroque / Kristian Bezuidenhout
If I had to pick out one sublime moment it would be tenor Hugo Hymas’s rendition of Beauty thou Scene of Love in Purcell’s Ode.
The Telegraph, 23 November 2022
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Buxtehude ‘Salvator Mundi’ disc – Ricercar Consort / Philippe Pierlot
A stunning moment of elation and the contemplation of eternity, borne by the radiant voice and remarkably eloquent phrasing of tenor Hugo Hymas.
Le Figaro, 8 April 2023
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Handel La Resurrezione – The English Concert / Harry Bicket
Hugo Hymas sings with even, smoothly rounded tone as St John the Evangelist, dispenser of comfort and wisdom.
Gramophone, June 2022
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Bach Easter Oratorio – Gabrieli Consort & Players / Paul McCreesh
The arias were exquisite, particularly Sanfte, Soll Mein Todeskummer for tenor (Hugo Hymas, excellent) and two recorders...
The Guardian, 20 April 2022
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Bach St John Passion – Academy of Ancient Music / Laurence Cummings
Hugo Hymas was the light-voiced tenor dealing very surely with his two demanding arias.
Financial Times, 18 April 2022
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Monteverdi Il Ritorno d’Ulisse – Maggio Musicale
The two servants Eurimaco and Melanto were played by tenor Hugo Hymas and mezzo-soprano Miriam Albano. They brought a youthful, playful element to the drama and related to each other with natural ease.
OperaWire, 6 July 2021
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Battistelli Julius Caesar – Opera di Roma
The tenor Hugo Hymas as Brutus’ servant Lucius produced a neatly essayed performance in which he showed off his attractive voice in a lyrical presentation.
OperaWire, 15 December 2021
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Bach St Matthew Passion – Arcangelo / Jonathan Cohen
The pick was Hugo Hymas, clear as a bell in the tenor solos.
The Times, 10 September 2021
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Bach & Caldara – Dunedin Consort / John Butt
Standing out among the singers, the tenor Hugo Hymas disclosed a bloom at the top of his voice.
The Telegraph, 1 January 2023